![]() Within the grading projectįor each episode, the option is still retained to go back to raw scans shouldĪs usual with the mastering process, each episode (including the first two episodes derived from an existing high definition master) will undergo scene-by-scene grading with adjustment of the colour balance, brightness and contrast of every shot, not only with an eye on quality but also sometimes the intentions of the narrative. With concealment of fine dust and dirt particles. ![]() The compression to Blu-ray down the line) but still evident grain field, along Digital processing of the scans therefore results in a subdued (helping Of film, therefore the team’s view is that this grain has to be curtailed to aĭegree. Subsequent positive film prints, with a loss of fine detail between generations The 35mm negative (original footage) is more than would have ever been seen on There will always be some dust and dirt remaining as well as a fair bit of Despite careful physical handling and cleaning, Inherent in the original film, and the resulting files were then passed through The scanning equipment was fine-tuned to capture all the detail In from the storage facilities and carefully checked and cleaned prior to being The master A and B roll 35mm negatives were called The quality has always been there in the model work, puppetry, cinematography and lighting, but with new scans from the original negatives this could be seen as never before. When the opportunity came up to remaster all the episodes of Captain Scarlet and the Mysterons in high definition for the fifty year anniversary of the series, the Network team knew it would bring a new lease of life to the show. ![]()
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